">
crumbling walls, dust, rough roads. The bomb disposal robot mine of U.S. fast-forward between worn-out rubble, its Track trample the remains of a Baghdad plagued by years of war. curious men and children smiling face on the street mumbling incomprehensible words. red wires emerge from the ground: under piles of debris washed hides yet another weapon to an enemy invisible. is hell, but his closest representation, Iraq today. 40 days dawn Staff Sergeant William James (Jeremy Renner, Oscar nominee for this role), 800 mine clearance behind it, is sent to the battlefield to support Sergeant JT Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty). The camera, shoulder strictly follows the marines in their every move, it simulates the look through rapid movements in continuous sequence, sudden zooms focus windows, roofs, minarets, bridges, huts, which can lurk in any place a terrorist. There is no respite, nor the plot, at least according to the parameters of classic cinema. This is war, unvarnished, without infarction of genre films, mere reconstruction of any day in the no man's land.
Kathryn Bigelow closes ranks of the epic war without taking precise positions on the rightness or otherwise of a conflict that has bloodied the Western consciousness for some luster to this part, or at least so it seems. His anti-heroes are moving fast among heaps of hostilities, counting the days remaining to be served at the front along with the throbbing audience that follows the exploits. In reality, behind the apparent neutrality of the tale, the director of Strange Days and Point Break work builds a strong robust plant antimilitarist, as suggested by the quotation at the beginning of vision that "the war is a drug that creates a strong dependence. And the withdrawal of the lethal explosive repatriated Sergeant James is likely to lead to a paranoid madness the American veteran, forever prey to obsessions die hard. The only cure for cancer seems to be the hell of war return to it, where the days are not passing slower steps towards the dawn of the return, but only dark marks on a calendar of memory that now knows only sunsets. 5 Oscar (film, director, original screenplay, editing and sound editing) and a chamomile tea with plastic to dispose of the whole.
VOTE: 8
Joseph "Joe" Castronuovo
0 comments:
Post a Comment